Zeinixx

The First

Graffiti in Senegal has a community feel. It’s not simply about making your mark felt. You rarely see tags. There is no current of rebellious backlash against the proverbial ‘man’. Instead it is a welcoming scene. I met with Zeinixx, the first female writer in Dakar, to get some perspective on graffiti in this energetic city.

Published 12/02/2020

SKEWED Art

DK

What is your name?

DS

Okay, okay. My name is Djeneba Sidibe, better known as Zeinixx LFDM. I’m a graffiti artist, the first woman to do graffiti in Senegal, slameuse, singer and rapeuse.

DK

How long have you been graffiting for  ?

DS

Since late 2007, when I went to Africulturban and it’s there that everything started.

DK

Where did you first get interested in graffiti ?

DS

When I was a teen, I saw myself as being Leonardo Da Vinci or Pablo Picasso. I was 14 or 15 years old when I started painting. I consider myself self-taught having never been to a fine art school. When I received my pocket money at the end of the month, I would buy equipment instead of buying jeans, shoes or make-up like other girls. I preferred to buy materials. It’s my passion, I love to paint. If I’m painting then I’m fine. 

Graffiti I discovered watching TV. I saw guys in front of a wall with funny pumps. Then suddenly from nowhere came a painting. I said to myself, “Why not try this?” Having a larger canvas that’s big like a wall, that’s my thing! I asked a friend who told me, ‘Go see Graffixx. He’s at Africulturban.’ After school one day I went along to Africulturban and asked after Graffixx, and I said, ‘Hello I want to do graffiti.’ ” [laughs]

«When I was a teen, I saw myself as being Leonardo Da Vinci »

DK

How many female writers are here in Dakar ?

DS

There’s five. I’m the first, after me there was another but she stopped. Then there’s Ebony. Also Awa and Chat of RBS CREW. And also Delphine, a Belgian street artist, based in Dakar. Belgian, American or French if you live in Senegal, I consider you as a graffiti artist of my country.

DK

Was it a very tough environment in Dakar for girls or is it quite welcoming ?

DS

The answer is somewhere in the middle because hip hop is very masculine. It’s a medium with strong male dominance. But that does not make an environment where men reject women in relation to what we do. I have never experienced arginalization. All the men with whom I graffiti have always been open. There is a fraternal spirit between us. They are not simply friends, or colleagues, they are my brothers!

DK

How long were you doing graffiti before you developed your own style ?

DS

From the beginning, because when you start doing something you unconsciously develop your own style. It’s a school where you go through stages. Since I started I have been perfecting my own style, Maybe at some points I had a slower pace. Here, it is easy to doubt yourself, “Will I stop? I will stop… No I will continue.” Apart from that kind of moment, I’m always perfecting my work. Whether on a wall, shoes, a blackboard or in my blackbook. I’m constantly practicing.

DK

What are your ambitions?

DS

My ambition is to see young women express themselves. Not to see women who want to do what I do, but can’t. Either for practical reasons or simply because that they are afraid. Because they are told that a woman’s place is at home in the kitchen. Or educating children, taking care of the family. It’s really beyond graffiti, it’s beyond hip hop. My ambition is to see women be able to perform in any field they want to move forward.

DK

Do you get funny reactions graffiting on property ?

DS

Senegalese people like to express themselves. They come up and ask you, “Wow, that’s pretty, what is it?” When you communicate with them, you manage to exchange with them. They come to understand what you want to convey as a message.

DK

Are the police …

DS

[laughing] No. We have no problem with the police. Here the graffiti artists will ask permission, that’s why we do it in broad daylight. We are not in New York! Here we ask. When we get permission, we do it. If we want to graffiti in a public square, where we can’t touch walls, we create our own walls from wood and cloth. Mobile walls, where we can express ourselves.